Pat O’Shocker Refuses Double-Cross

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William Hayes Shaw, who wrestled as Pat O’Shocker through most of his wrestling career, found himself in the spotlight in 1933. O’Shocker wasn’t looking for this sort of fame though. Newspapers were carrying a story about how wrestling promoters tried to use O’Shocker in a planned double-cross. Joseph “Toots” Mondt booked wrestlers out of New York and was aligned with

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Jim Browning Campaigns in Tennessee

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Urtean 1933, about 10 years into his wrestling career, Jim Browning would win the world title. Starting his career in Kansas and his home state of Missouri, Browning would have to leave these familiar grounds, if he intended to reach the highest pinnacle in professional wrestling. Because World Champions had to tour nationally, and often internationally, the world title was

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McLaughlin Wrestles Bauer

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James Hiram McLaughlin holds the distinction of being the first American professional wrestler. While people wrestled professionally before McLaughlin, he was the first to earn a professional living from wrestling. McLaughlin began wrestling professionally in 1860 at 16 years of age but the Civil War interrupted his career for a few years. McLaughlin began wrestling again in 1866. Arabera 1877,

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Jim Londos Makes His Mark

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In the early 1920s, Christos Theofilou began wrestling as Jim Londos after several years as the gimmickyWrestling Plasterer”. Londos probably didn’t realize that the name change would be the first step into him becoming the biggest box office attraction in 1930s professional wrestling. The second step was his emergence as a main event wrestler in St. Louis. Born in

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Eustace Wrestles The Champ

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Uztailetik 4, 1922, Alan Eustace received his shot at the World Heavyweight Wrestling Champion Ed “Strangler” Lewis. Eustace, the Kansas Champion, won a qualifying match with “Baserritarrak” Bailey in March 1922 to qualify for the match with Lewis. 31-year-old Eustace was the same age as “Strangler” Lewis but Lewis was far more experienced. Debuting at 14 urte,

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Pro Wrestling’s Bad Reputation

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Since its emergence as a spectator sport in the second half of the 19th Century, promoters and wrestlers were under a cloud of suspicion that they were working their matches. While professional wrestling would eventually consist almost exclusively of staged exhibitions, many, if not most, of the matches were legitimate contest prior to 1915. Promoters and wrestlers went to great

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Renato Gardini Arrives in 1915

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Hasieran 1915, Sam Rachmann promoted the New York International Wrestling Tournament with the intention of replacing retired World Heavyweight Wrestling Champion Frank Gotch. Rachmann believed no one could defeat Aleksander “Alex” Aberg, Rachmann’s handpicked successor to Gotch, in Greco-Roman wrestling. Rachmann’s challenge was catch-as-catch-can was the dominant wrestling style in America. To get around this challenge, Rachmann recruited international

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Browning Campaigns in Kansas

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Urtean 1922, future World Heavyweight Wrestling Champion Jim Browning began his career in Kansas. Browning moved from his hometown of Verona, Missouri in 1921 to train for a professional wrestling career. Tom Law, the Wichita, Kansas promoter, oversaw Browning’s training. By May 1923, Browning was already in the main event at smaller shows. On an Augusta, Kansas card, Browning wrestled

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Gurutze Bikoitzeko Urrezko Hautsaren Hirukotearen Liburua

urre-hautsa-hirukotearen estalkia gurutzatu bikoitza

Martxoan 3, 1922, Eta “Strangler” Lewisek Stanislaus Zbyszko-ren eskutik pisu handiko munduko borroka txapelketa berreskuratu zuen. Gertaera honek historiako borroka profesional konbinatu nagusienetako baten hasiera izan zuen. Billy Sandow kudeatzailea, Munduko txapelduna Ed “Strangler” Lewis eta prestakuntza bikotea / sustapeneko jenio Joseph “Toots” Mondt, known as the “Urrezko Hauts Hirukotea”, dominated the sport for the next six

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Alan Eustace Wrestles “Baserritarrak” Bailey

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In the early 1920s, Billy Sandow-k Tom Law Georgia sustatzailea Wichitara joateko konbentzitu zuen, Kansas eta garatu eremua etorkizuneko borroka ikuskizunetarako. Midwest estatubatuarra diru sarrera sortzaile garrantzitsua izango litzateke Gold Dust Trio-rako, Sandow-ek zuzendu zuen Munduko txapelduna Ed “Strangler” Lewis eta promozioko jenio Joseph “Toots” Mondt, 1920ko hamarkadan. Zuzenbideak bi sortuko lituzke

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