Herman Johannpeter (1878 – 1921)

johannpeter-family

When I started researching the family history, I only knew about two of my great-grandmother Caroline “Lee” Ellis’ nee Johannpeter’s siblings. My grandfather told me a lot about his Uncle “Jules”, Julius Johannpeter. Grandpa lived with Uncle Jules from the time he left Missouri Military Academy in 1932 until he married my grandmother, Alvina Ellis nee Mosblech in 1938. Babu

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Wire wezi kuua Policeman

McKenna-headliine

Kabla ya Ijumaa, Aprili 7, 1916 alikuwa juu ya, Ndugu Lewis ingekuwa kuwaua mbili St. Maafisa Louis Polisi, John McKenna na William Dillon. McKenna mara ya kwanza kwa kuanguka, wakati yeye kuingiliwa ndugu majaribio ya kuiba waya, bidhaa ya thamani wakati wa Vita Kuu ya Dunia. Dillon angeuawa uchunguzi mauaji McKenna ya. McKenna ilikuwa kwa ajili ya kutafuta wezi waya,

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Asante, Mr. Mwendo (1937)

bado-kuwashukuru-mr-moto

Juu ya Krismasi, 1937, Mr pili. Moto movie, Asante, Mr. Mwendo (1937) staring Peter Lorre, ilipata kushika nafasi ya. Kimataifa Agent Mr. Moto inajitahidi kulinda hazina Kichina kitamaduni kutoka wahalifu ya kimataifa. Gombo Saba itaonyesha mahali pa kujificha kwa kaburi la Genghis Khan. Wapiganaji Genghis Khan ya zimeripotiwa kuzikwa hazina kubwa na kiongozi wao amekufa. Mr. Moto’s friend Prince

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Morrissey vs. Sullivan: Fight, Then Feud

john-morrissey

Mnamo Oktoba 12, 1853, 23 year-old John Morrissey would meet 40 year-old “Yankee” Sullivan for the American and possibly World Heavyweight Prizefighting Championship. Sullivan had been considered the champion since Tom Hyer, who had beaten Sullivan previously, retired instead of fighting Sullivan in a rematch. Sullivan claimed the title and was backed by Hyer, who had made peace with Sullivan.

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Cat and the Canary (1927)

paka-na-canary-1927

(I have included Chapter 4 from my unpublished book, German Expressionism and The Cat and the Canary.) Leni and Karl Freund are the bridge between German Expressionism and American Expressionism. Freund was an art and film director on such films as The Golem (1920) and Metropolis (1927). He brought the distinct look of Expressionism to Dracula (1931) and The Mummy

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