Historiador de deportes de combate y artista marcial
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
A finales 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Agricultor” Burns territory in Chicago and Iowa. Sin embargo, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Por 1902, George
En agosto 26, 1886, Evan “Strangler” Lewis se reunió el Wrestling campeón británico Tom Cannon, en Cincinnati, Ohio. Durante la era de lucha legítima, otros luchadores temían los poderosos Lewis debido a su dominio. Lewis empleó un estrangular la arteria carótida conocido como el rear naked choke en Judo. Al menos eso fue lo que pensé originalmente y la mayoría de los historiadores han citado. Moderno
El sábado, Noviembre 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 minutes. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem possessed
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
En la década de 1910, La lucha libre profesional estadounidense pasó permanentemente de competencias de lucha legítimas a exhibiciones preestablecidas.. Interés de los fans, El control del promotor y un menor desgaste de los luchadores jugaron un papel en esta transición.. Otra presión de la que menos se habló fue fuera del deporte en sí.. Antes del siglo XX, El boxeo profesional era ilegal en Estados Unidos.. nudillo desnudo
RKO Pictures llevó el personaje de cómic Dick Tracy a la gran pantalla en diciembre 1, 1945. Mientras que la película es sin duda un “B” película destinada a ser primero en el programa doble, aún así habría sido de interés para los muchos fans de la popular tira cómica. Chester Gould creó la tira en octubre 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Agricultor” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 libras. Berg missed weight by four pounds but won the match. Berg luchó
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Si bien esta historia puede o puede
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!Frank Gotch miró a su rival George Hackenschmidt., who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt