Historiador de deportes de combate e artista marcial
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
In late 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Agricultores” Burns territory in Chicago and Iowa. Porén, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Por 1902, George
En agosto 26, 1886, Evan “Estrangulador” Lewis coñeceu o Wrestling campión británico Tom canón en Cincinnati, Ohio. Durante a era da loita lexítima, outros loitadores temía o poderoso Lewis polo seu dominio. Lewis empregou unha estrangulamento arterial carótida coñecido como mata-león no Judo. Polo menos iso era o que eu pensaba orixinalmente e a maioría dos historiadores citaron. Moderno
O sábado, Novembro 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 actas. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem posuído
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
Nos anos 1910, A loita libre profesional americana pasou permanentemente dos concursos de loita lexítimo a exhibicións previamente organizadas. Interese dos fans, o control do promotor e o menor desgaste dos loitadores xogaron un papel nesta transición. Outra presión menos falada foi fóra do propio deporte. Antes do Século XX, o boxeo profesional era ilegal nos Estados Unidos. Nudillo nu
RKO Pictures trouxo o personaxe de cómics Dick Tracy á pantalla grande en decembro 1, 1945. Mentres a película é, en definitiva, un “B” filme feito para ser o primeiro en tocar dúas veces, inda sería de interese para os moitos fans do cómic populares. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Agricultores” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 libras. Berg missed weight by four pounds but won the match. Berg loitou
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Aínda que esta historia pode ou pode
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!” Frank Gotch looked over at his rival George Hackenschmidt, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt