Storico degli sport da combattimento e artista marziale
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
In late 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Agricoltore” Burns territory in Chicago and Iowa. Tuttavia, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Da 1902, George
Agosto 26, 1886, Evan “Strangler” Lewis ha incontrato il Wrestling campione britannico Tom Cannon a Cincinnati, Ohio. Durante l'era wrestling legittimo, altri lottatori temevano il potente Lewis a causa della sua stretta mortale. Lewis ha impiegato un strangolamento carotidea arteriosa nota come lo starter nudo posteriore Judo. Almeno questo era quello che pensavo inizialmente e che la maggior parte degli storici ha citato. Moderno
Il Sabato, Novembre 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 verbale. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem posseduto
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
Negli anni '10, Il wrestling professionistico americano passò definitivamente da gare di wrestling legittime a esibizioni prestabilite. Interesse dei tifosi, il controllo del promotore e la minore usura dei lottatori hanno giocato un ruolo in questa transizione. Un’altra pressione di cui si parla meno era quella esterna allo sport stesso. Prima del 20° secolo, la boxe professionistica era illegale negli Stati Uniti. Nocca nuda
RKO Pictures ha portato il personaggio dei fumetti di Dick Tracy sul grande schermo dicembre 1, 1945. Mentre il film è sicuramente un “B” pellicola vuole essere in primo luogo sul doppio disegno di legge, ancora sarebbe stato di interesse per i tanti fan del fumetto popolare. Chester Gould ha creato la striscia di ottobre 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Agricoltore” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 sterline. Berg missed weight by four pounds but won the match. Berg entrò lottando
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Mentre questa storia può o può
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!Frank Gotch guardò il suo rivale George Hackenschmidt, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt