مؤرخ الرياضة القتالية وفنان القتال
منشورات عن لعبة "امسك بقدر ما تستطيع" أو مباريات المصارعة, أسلوب المصارعة السائد في الولايات المتحدة بعد ذلك 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
In late 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “مزارع” Burns territory in Chicago and Iowa. لكن, Parker would discover two capable wrestler in St. لويس, George Baptiste and Oscar Wasem. من قبل 1902, George
آب 26, 1886, ايفان “خانق” Lewis met the British Wrestling Champion Tom Cannon in Cincinnati, Ohio. During the legitimate wrestling era, other wrestlers feared the powerful Lewis because of his stranglehold. Lewis employed a carotid arterial strangle known as the rear naked choke in Judo. على الأقل هذا ما اعتقدته في الأصل ونقله معظم المؤرخين. حديث
يوم السبت, نوفمبر 25, 1899, الحادي و. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 <تمتد bbox_x = "273" bbox_y = "1490" bbox_w = "50" bbox_h = "20" fsize = "14" fweight = "3" أحمر = "255" أخضر = "255" أزرق = "255" ألفا = ". After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. لويس’ wrestling champion in the mid-1890s. وسيم يمتلك
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
في 1910s, مصارعة المحترفين الأميركية انتقلت نهائيا من مسابقات المصارعة المشروعة للمعارض ترتيبها مسبقا. الفائدة مروحة, السيطرة على المروج وأقل البلى على المصارعين كل لعبت دورا في هذه المرحلة الانتقالية. آخر أقل الحديث عن الضغط كان خارج الرياضة نفسها. قبل القرن العشرين, كانت الملاكمة الاحترافية غير قانونية في الولايات المتحدة. مفصل عار
جلبت RKO صور لديك تريسي شخصية فكاهية إلى الشاشة الكبيرة ديسمبر 1, 1945. في حين أن الفيلم هو بالتأكيد “<تمتد bbox_x = "538" bbox_y = "1070" bbox_w = "9" bbox_h = "20" fsize = "14" fweight = "3" أحمر = "255" أخضر = "255" أزرق = "255" ألفا = "” الفيلم من المفترض أن تكون الأولى على مشروع قانون مزدوج, فإنه لا يزال يمكن أن يكون موضع اهتمام العديد من المشجعين من فكاهية شعبية. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “مزارع” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 جنيه. Berg missed weight by four pounds but won the match. تصارع بيرج في
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. في حين أن هذه القصة قد تكون أو قد تكون
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!نظر فرانك جوتش إلى منافسه جورج هاكنشميدت, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt