Borrokako Kirolen Historialaria eta Martzial Artista
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
Urtearen bukaeran 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Baserritarrak” Burns territory in Chicago and Iowa. Hala ere, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Arabera 1902, George
Abuztuaren On 26, 1886, Evan “Strangler” Lewis britainiar Borroka txapelduna Tom Cannon ezagutu Cincinnati, Ohio. Legitimoa borroka garaian, Beste wrestlers beldurgarri boteretsuena Lewis delako bere stranglehold. Lewis carotid arteria strangle bat Judo biluzik atzeko choke bezala ezagutzen okupatuak. Nik behintzat hori zen hasieran pentsatu nuena eta historialari gehienek aipatu dute. Modernoa
Larunbatean, Azaroa 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 minutu. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem jabetu zen
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
1910eko hamarkadan, Borroka profesional estatubatuarra betirako mugitu zen legezko borroka-lehiaketetatik aurrez antolatutako erakusketetara. Zaleen interesa, promotoreen kontrolak eta borrokalarien higadura gutxiagok zeresana izan zuten trantsizio honetan. Presioaz gutxiago hitz egiten zen beste kiroletik kanpo zegoen. mendearen aurretik, boxeo profesionala legez kanpokoa zen Estatu Batuetan. Uharkadi biluzik
RKO Pictures Dick Tracy komiki pertsonaia ekarri du pantaila handira on Abendua 1, 1945. Filma da, zalantzarik gabe, berriz, bat “B” filma ekarri du faktura bikoitza lehena izateko, Arazoak jarraitzen litzateke interesgarriak izan popular komiki zale asko joan. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Baserritarrak” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 libera. Berg missed weight by four pounds but won the match. Berg wrestled in
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Istorio hau agian edo izan arren
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!Frank Gotchek George Hackenschmidt arerioari begiratu zion, who was writhing in obvious pain. Despite a severe knee injury, Hack