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Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
Nan fen 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Kiltivatè” Burns territory in Chicago and Iowa. Sepandan, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Pa 1902, George
Sou Out 26, 1886, Evan “Strangler” Lewis te rankontre Lit Britanik la Champion Tom Cannon nan Cincinnati, Ohio. Pandan epòk la lit lejitim, lòt luteur te pè Lewis nan pwisan paske nan anpriz l '. Lewis travay yon trangle carotid atè li te ye kòm dèyè toufe nan toutouni nan judo. Omwen se sa mwen te panse orijinèlman e pifò istoryen yo te site. Modèn
Nan samdi, Novanm 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 minit. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem posede
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
Nan ane 1910 yo, Lit pwofesyonèl Ameriken an pèmanan te deplase soti nan konpetisyon lit lejitim nan egzibisyon ki te fikse davans. Enterè fanatik, kontwòl pwomotè ak mwens mete ak chire sou wrèstle yo tout te jwe yon wòl nan tranzisyon sa a. Yon lòt mwens pale sou presyon te deyò nan espò nan tèt li. Anvan 20yèm syèk la, boksè pwofesyonèl te ilegal nan peyi Etazini. Knuckle toutouni
RKO Pictures te fè Dick Tracy komik karaktè nan teren nan ekran an gwo sou Desanm 1, 1945. Pandan ke fim nan se definitivman yon “B” fim vle di ke yo dwe premye sou bòdwo an doub, li toujou ta gen nan enterè fanatik yo anpil nan teren an popilè komik. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Kiltivatè” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 liv. Berg missed weight by four pounds but won the match. Berg te lite nan
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. While this story may or may
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!” Frank Gotch te gade rival li George Hackenschmidt, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt