Ahli Sejarah Sukan Pertempuran dan Seniman Mempertahankan Diri
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
Pada akhir 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Petani” Burns territory in Chicago and Iowa. Walau bagaimanapun, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Oleh 1902, George
On August 26, 1886, Evan “Strangler” Lewis met the British Wrestling Champion Tom Cannon in Cincinnati, Ohio. During the legitimate wrestling era, other wrestlers feared the powerful Lewis because of his stranglehold. Lewis employed a carotid arterial strangle known as the rear naked choke in Judo. Sekurang-kurangnya itulah yang saya fikirkan pada asalnya dan kebanyakan ahli sejarah telah memetik. moden
Pada hari Sabtu, November 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 minit. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem dirasuk
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
In the 1910s, American professional wrestling permanently moved from legitimate wrestling contests to prearranged exhibitions. Fan interest, promoter control and less wear and tear on the wrestlers all played a role in this transition. Another less talked about pressure was outside of the sport itself. Prior to the 20th Century, professional boxing was illegal in the United States. Bare knuckle
RKO Pictures membawa Dick Tracy watak jalur komik untuk skrin besar pada Disember 1, 1945. Walaupun filem itu pastinya “B” filem bertujuan untuk menjadi yang pertama ke atas bil berganda, ia masih akan menjadi kepentingan kepada ramai peminat jalur komik popular. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Petani” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 pound. Berg missed weight by four pounds but won the match. Berg wrestled in
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Walaupun cerita ini boleh atau mungkin
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!” Frank Gotch memandang ke arah saingannya George Hackenschmidt, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt