Gevechtssporthistoricus en krijgskunstenaar
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
In late 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Boer” Burns territory in Chicago and Iowa. Echter, Parker would discover two capable wrestler in St. Louis, George Baptiste and Oscar Wasem. Door 1902, George
Op augustus 26, 1886, Evan “Worger” Lewis ontmoet de Britse Wrestling kampioen Tom Cannon in Cincinnati, Ohio. Tijdens de legitieme worstelen tijdperk, andere worstelaars vreesden de krachtige Lewis vanwege zijn wurggreep. Lewis in dienst van een arteria carotis wurgen bekend als het achter naakte vernauwing in Judo. Dat was tenminste wat ik oorspronkelijk dacht en de meeste historici hebben geciteerd. Modern
Op zaterdag, November 25, 1899, St. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 notulen. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Louis’ wrestling champion in the mid-1890s. Wasem bezeten
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
In de jaren 1910, Het Amerikaanse professionele worstelen is permanent verplaatst van legitieme worstelwedstrijden naar vooraf afgesproken tentoonstellingen. Interesse van fans, promotorcontrole en minder slijtage aan de worstelaars speelden allemaal een rol in deze transitie. Een andere, minder besproken druk lag buiten de sport zelf. Vóór de 20e eeuw, professioneel boksen was illegaal in de Verenigde Staten. Blote knokkel
RKO Pictures brought the Dick Tracy comic strip character to the big screen on December 1, 1945. While the film is definitely a “B” film meant to be first on the double bill, it still would have been of interest to the many fans of the popular comic strip. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Boer” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 pond. Berg missed weight by four pounds but won the match. Berg worstelde zich erin
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Terwijl dit verhaal misschien wel mag
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Weer, the man on bottom yelled, “Please don’t break my leg!Frank Gotch keek naar zijn rivaal George Hackenschmidt, who was writhing in obvious pain. Despite a severe knee injury, Hackenschmidt