Историчар борбених спортова и борилачки уметник
Posts about catch-as-catch-can or catch wrestling matches, the dominant style of wrestling in the United States after 1890.
During March 1891, George Baptiste travelled from St. Louis to Detroit to take part in a catch-as-catch-can wrestling tournament. While primarily a Greco-Roman wrestler, Baptiste would compete in the dominant American style of catch-as-catch-can. The 26-year-old Baptiste was an accomplished amateur and professional wrestler. Entering the Detroit tournament, Baptiste had lost only one match as a professional. The year prior,
In late 1902, Harvey Parker, a professional wrestler who began wrestling in 1900, travelled to St. Louis to challenge the local wrestling community. Parker may have thought St. Louis to be an easier town than “Фармер” Burns territory in Chicago and Iowa. <Спан ббок_к = "289" ббок_и = "553" ббок_в = "56" ббок_х = "20" фсизе = "14" фвеигхт = "3" црвено = "255" зелено = "255" плави = "255" алфа = ", Parker would discover two capable wrestler in St. Лоуис, George Baptiste and Oscar Wasem. По 1902, Џорџ
На августа 26, 1886, Еван “Давитељ” Lewis met the British Wrestling Champion Tom Cannon in Cincinnati, Ohio. During the legitimate wrestling era, other wrestlers feared the powerful Lewis because of his stranglehold. Lewis employed a carotid arterial strangle known as the rear naked choke in Judo. Барем то је оно што сам првобитно мислио и већина историчара су цитирани. Модерна
У суботу, Новембар 25, 1899, Свети. Louis wrestling fans experienced a shock, when a visiting wrestler easily threw local champion Oscar Wasem in a little over 20 записник. After the easy victory, fans smelled a rat, when the “Indianapolis Cyclone” spoke with a Lancashire accent. Oscar Wasem surpassed George Baptiste as St. Лоуис’ wrestling champion in the mid-1890s. Васем је опседнут
When Frank Gotch retired as World Heavyweight Wrestling Champion after beating Georg Lurich in his last match, promoters scrambled to find a successor. Samuel Rachmann tried to put forth his own champion by hosting the 1915 International Wrestling Tournament in New York City. Rachmann wanted his challenger Aberg to win the tournament and be recognized by the public as the
1910-их година, Америчко професионално рвање је трајно прешло са легитимних такмичења у рвање на унапред договорене изложбе. Интерес навијача, контрола промотера и мање хабање рвача су играли улогу у овој транзицији. Још један мање причан о притиску био је ван самог спорта. Пре 20. века, професионални бокс је био илегалан у Сједињеним Државама. Голи зглоб
РКО Пицтурес донео Дицк Траци стрип карактер на велики екран децембра 1, 1945. Иако је филм дефинитивно “Б” Филм би требало да буде први на дуплом рачун, ипак би било од интереса за многе љубитеље популарног стрипа. Chester Gould created the strip in October 1931 for the Detroit
John Berg was a good enough wrestler to beat Martin “Фармер” Burns twice but was mostly thought of as a good lighter wrestler. Berg held the World Light Heavyweight Wrestling Championship in the late 1910s and competed for the Middleweight Title, which was contested at 158 фунти. Berg missed weight by four pounds but won the match. Берг се рвао
Ad Santel gained his reputation as a dangerous catch wrestler from his frequent bouts with judoka from Japan during the 1910s and a story from the second George Hackenschmidt training camp for the Frank Gotch rematch. According to legend, Frank Gotch paid Santel, a skilled submission wrestler, $5,000.00 to injure Hackenschmidt’s knee in training. Док ова прича може или може
“Don’t break my leg!” As the two muscular men struggled in the center of the ring, the man on top continued to work on the downed man’s legs. Again, the man on bottom yelled, “Please don’t break my leg!” Френк Гоч је погледао свог ривала Џорџа Хакеншмита, who was writhing in obvious pain. Despite a severe knee injury, Хацкенсцхмидт