ເງົາຂອງຜູ້ຊາຍບາງ (1941)

William-powell

Metro-Goldwyn-Mayer (MGM) ປ່ອຍອອກມາເມື່ອ Shadow of the Thin Man (1941) ໃນເດືອນພະຈິກ 1941. ຫນຶ່ງໃນຮູບເງົາ Thin Man ຕໍ່ມາ (affiliate link), ຮູບເງົາປະກອບດ້ວຍ vignettes ທີ່ຫນ້າສົນໃຈສໍາລັບ fans wrestling. Nick Charles, played by William Powell, ຖືກດຶງເຂົ້າໄປໃນການສືບສວນຂອງລັດກ່ຽວກັບວົງການພະນັນທ້ອງຖິ່ນ. ສອງນັກສົ່ງເສີມກິລາມວຍປ້ຳທ້ອງຖິ່ນແລ່ນວົງການພະນັນ, ຊຶ່ງເປັນສິນລະປະ imitating ຊີວິດຖ້າຫາກວ່າ

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Night and the City (1950)

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ເກືອບ 70 ປີ​ຂອງ​ອາ​ຍຸ​ສູງ​ສຸດ, Stanislaus Zbyszko ໄດ້ເປີດຕົວຮູບເງົາຂອງລາວຄັ້ງທໍາອິດໃນ Night and the City (1950). ຖືກເອີ້ນເປັນ Gregorious, ນັກ​ມວຍ​ປ້ຳ​ທີ່​ອອກ​ກິນ​ເບ້ຍ​ບຳນານ ແລະ​ເປັນ​ພໍ່​ຂອງ​ຜູ້​ສົ່ງ​ເສີມ​ການ​ຕໍ່ສູ້​ຂອງ​ລອນ​ດອນ, Zbyszko ສະແດງທັກສະ wrestling ລາວ, ເຖິງແມ່ນວ່າຢູ່ໃນອາຍຸສູງສຸດຂອງລາວ, ໃນ scene ລາຍເຊັນຂອງຮູບເງົາ. ຮູບເງົາເລີ່ມຕົ້ນດ້ວຍຜູ້ຊາຍທີ່ແລ່ນໄປຫາ Harry Fabian, ເປັນ hustler ລອນດອນສະເຫມີຊອກຫາ

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Corsair (1931)

chester-morris-1934

Roland V. West directed fourteen films in his career. Critics consider three of his films to be excellent. West directed the silent thriller The Bat in 1926. West directed his most acclaimed film, Alibi (1929), which resulted in an Oscar nomination for his friend Chester Morris. ໃນ 1930, West and Morris again collaborated on his last classic, ການ​ສຽງ​ກະ​ຊິບ Bat,

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Metropolis (1927)

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ໃນ​ເດືອນ​ມັງ​ກອນ 10, 1927, Universum Film (UFA) released Fritz Lang’s Metropolis (1927). The German film company produced a science fiction class, which still holds up today. On the Internet Movie Database website (IMDB), users rate it 8.3 out of 10 ດາວ. It is #104 on the Top 250. In a theme society has wrestled with since the beginning of the

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After the Thin Man (1936)

William-powell

Metro-Goldwyn-Mayer (MGM) released After The Thin Man (1936), the sequel to the popular Thin Man (1934), on Christmas Day 1936. The film is one of 14 films William Powell and Myrna Loy made together. Powell and Loy play Dashiell Hammet’s characters Nick and Nora Charles respectively. Nick Charles formerly worked as a private detective before marrying the wealthy heiress Nora.

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Dr Mabuse, the Gambler (1922)

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Fritz Lang ເຮັດ​ໃຫ້​ຫນຶ່ງ​ຂອງ​ຮູບ​ເງົາ​ອາ​ຊະ​ຍາ​ກໍາ​ລາວ​ຕົ້ນ​ໃນ 1922. ພຣະ​ອົງ​ໄດ້​ມຸ້ງ​ທ່ານ​ດ​ຣ. Mabuse: ຫຼີ້ນ​ການ​ພະ​ນັນ (1922), ທີ່​ໄດ້​ແລ່ນ​ປະ​ມານ​ສີ່​ຊົ່ວ​ໂມງ​ແລະ​ສາມ​ສິບ​ນາ​ທີ. ມັນ​ບອກ​ເລື່ອງ​ຂອງ​ທ່ານ​ດ​ຣ​ໄດ້. Mabuse, ອາ​ຈານ​ຂອງ psychoanalysis ໄດ້. He is also the leader of a criminal ring in the mold of Professor Moriarty from the Sherlock Holmes series. In his multiple

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M (1931)

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On May 11, 1931, Fritz Lang’s classic film M (affiliate link) ໄດ້​ປ່ອຍ​ອອກ​ມາ​ໃນ Berlin, ເຢຍ​ລະ​ມັນ. ນອກ​ຈາກ​ການ​ເປັນ​ຢູ່​ໃນ​ລາຍ​ການ​ທີ່​ສຸດ​ສໍາ​ລັບ​ທາງ​ເທິງ 100 ຮູບ​ເງົາ​ຂອງ​ທີ່​ໃຊ້​ເວ​ລາ​ທັງ​ຫມົດ, Fritz Lang ເຊື່ອ​ກັນ​ວ່າ​ຮູບ​ເງົາ​ທີ່​ດີ​ທີ່​ສຸດ​ຂອງ​ເຂົາ M (1931). ເດ​ແມ່ນ​ເລື່ອງ​ຂອງ​ໄລ​ຍະ​ການ​ຂອງ​ການ​ຄາດ​ຕະ​ກໍາ​ເດັກ​ທີ່​ກໍາ​ລັງ​ເກີດ​ຂຶ້ນ​ໃນ Berlin. The police are determined to catch the killer

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The Son of Monte Cristo (1940)

still-from-son-of-monte-cristo

ໃນ​ເດືອນ​ມັງ​ກອນ 10, 1940, Rowland V. Lee released his low-budget feature film The Son of Monte Cristo (1940) through United Artists. Rowland V. Lee started directing films in 1920 and would make 59 films before retiring in 1945. ໃນ​ຮູບ​ເງົາ​ນີ້, Louis Hayward plays The Count of Monte Cristo, Edmund Dantes, Jr. The Count inherits his father’s money and the

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The Hound of the Baskervilles (1939)

basil-rathbone

ຮູບ​ເງົາ​ນີ້ (affiliate link) was the first Sherlock Holmes film starring Basil Rathbone as Holmes. Sidney Lanfield ມຸ້ງ Hound ຂອງ Baskervilles ໄດ້ (1939) ສໍາ​ລັບ Fox twentieth​-ຕະ​ວັດ​ທີ. Nigel Bruce ຮູບ​ດາວ​, ການ​ຮ່ວມ​ມື​ເປັນ​ທ່ານ​ດ​ຣ. John Watson. Rathbone and Bruce would play Holmes and Watson in thirteen subsequent films, one more for Twentieth-Century Fox and twelve for Universal Pictures. This film is a

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ການ​ສຽງ​ກະ​ຊິບ Bat (1930)

chester-morris-1934

ໃນ​ເດືອນ​ພະ​ຈິກ 13, 1930, Roland V. West released The Bat Whispers (1930), the talkie version of his silent classic, Bat ໄດ້ (1926). The film follows faithfully the script of the original. ຢ່າງ​ໃດ​ກໍ​ຕາມ, West is able to experiment with film techniques like tracking shots, still a novelty in early sound cinema. Editing still dominated as the continuity and story moving technique.

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