Combat Sports Historian and Martial Artist
Posts about 20th Century wrestlers, wrestling matches, and wrestling films.
During the early 1920s, Tex Rickard declared war on his former boxing promotional partner, Jack Curley. Curley promoted professional wrestling in New York City. He also organized promoters in large cities such as Boston and St. Louis into a wrestling trust. The trust controlled the World Heavyweight Wrestling Championship. The trust froze out any wrestler, who refused to go along
This week’s post is a confession of sorts. For years, I have written that Frank Gotch was the only wrestler to defeat Stanislaus Zbyszko during his initial tour of America between 1909 and 1914. I recently read Wrestling in the Garden, Volume 1: 1875 to 1939; The Battle for New York – Works, Shootes and Double Crosses (affiliate link) by
Joe Stecher capturing the world wrestling championship from Earl Caddock is the oldest professional wrestling film in existence. Tragically, promoters filmed the biggest matches of the 1910s and 1920s including the second Frank Gotch-Georg Hackenshmidt match, but they rotted in storage areas. Camera operators filmed Ed “Strangler” Lewis vs. Wayne “Big” Munn, Stecher vs. Stanislaus Zbyszko, and the reunification match
One of the legendary tales about Joe Stecher concerns a legitimate contest he had with one of Martin “Farmer” Burns wrestlers, when Stecher was barely out of high school. Burns heard about Stecher’s growing reputation and decided to test him with one of his wrestlers. For years, I thought Stecher defeated Yusif Mahmout but he actually wrestled Yussif Hussane. The
In his book Hooker, Lou Thesz wrote about the rivalry between two of his favorite wrestlers, Joe Stecher and Ed “Strangler” Lewis. Stecher and Lewis would emerge as the two best legitimate professional wrestler of the 1910s. Either man could beat every other wrestler at the time in a legitimate contest or “shoot”. The men wrestled three long, boring contests
Prior to the creation of the territorial system in 1948, pro wrestling promoters fought with each other to control the world championship. Promoting the world champion led to bigger gates, so most promoters wanted to control the championship. In the 1930s, promoters would enter into agreements with each other but they were often fleeting. When one promoter got offended, thought
Who is the greatest legitimate professional wrestler to wrestle in the United States? How do you determine it when wrestlers “worked” or cooperated with each other in matches since the sports emergence in the 1860s? . I examined the records and stories around the American, British, Polish, and Turkish wrestlers, who wrestled in the United States between 1870 and 1915
William Hayes Shaw, who wrestled as Pat O’Shocker through most of his wrestling career, found himself in the spotlight in 1933. O’Shocker wasn’t looking for this sort of fame though. Newspapers were carrying a story about how wrestling promoters tried to use O’Shocker in a planned double-cross. Joseph “Toots” Mondt booked wrestlers out of New York and was aligned with
In 1933, about 10 years into his wrestling career, Jim Browning would win the world title. Starting his career in Kansas and his home state of Missouri, Browning would have to leave these familiar grounds, if he intended to reach the highest pinnacle in professional wrestling. Because World Champions had to tour nationally, and often internationally, the world title was
I’ve written in the past that Fall Guys: The Barnums of Bounce by Marcus Griffin is a problematic source. While Griffin has insider knowledge due to his time in the Buffalo promotional office in the 1930s, he wrote the book for the purpose of revenge against the promoters who fired him. The book contains factual information mixed in with interesting