起源故事: 事实还是虚构?

当我第一次开始练习武术时 1995, 与大多数武术的创立有关的故事都非常精彩，其创始人具有超人的体能和战斗能力. 是否功夫, 空手道或柔道, 创始人吸取了前人武术中学到的技巧, 修改并击败所有人. 这些说法往往是事实与虚构的结合.

当我开始阅读有关柔道的文章时, 其形成的关键时刻之一, 是柔道练习者对柔术学校学生的统治 1886 东京警察厅主办的比赛. 柔道获胜后 10 比赛并抽签 1 match, 柔道成为主导艺术.

除了许多柔术学校继续与柔道并存，直到至少 1920. 田边又右卫门, 风仙流柔术练习者, 东京锦标赛后，在挑战赛中击败了讲道馆的几名成员. 虽然田边确实参加了 1906 讲道馆举办柔术大会, 他从未参加过柔道.

我学跆拳道已经快半年了 20 现在几年. 许多最初的跆拳道大师都是松涛馆空手道黑带. 然而, 由于日本占领朝鲜，这是一个有争议的话题. 如果你提出这个事实, 你可能会面临被学校开除，有时还会被老师殴打的风险. 为了这一天, 韩国跆拳道大师告诉你他们的艺术是跆拳道的现代化, 原创韩国武术.

由于格雷西家族第二代和第三代之间存在一些差异, 巴西柔术的起源也有些模糊. In a recent episode of the Grappling Central podcast, Robert Drysdale tries to describe the true creation of the art through historical research. A number of the stories we often repeat may not have occurred they way we think.

After listening to the episode, I think all BJJ schools should have a picture of both Carlos and Helio Gracie hanging in their schools. They built their family legacy together and you cannot have the art without them both.

Most of these stories are created to convince students that the art is the best. If they are not studying it, they are missing out on something. 然而, if it is good, you don’t need to obscure the origins. The art will stand on its own.

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